Tag Archives: Stylianos Lenas (Στυλιανός Λένας)

Stylianos Lenas (Στυλιανός Λένας) bust

Προτομή Στυλιανού Λένα (2)n Προτομή Στυλιανού Λένα (5)n

Artist: Philippos Yiapanis 

Location: “Lenas” nationalist union premises, Limassol. Limassol district 

Dimensions: 91 cm x 61 cm x 61 cm

Category: ΕΟΚΑ 1955-59

Photography: Evangelia Matthopoulou

The bust was commissioned by the “Lenas” nationalist union. The unveiling took place on October 6th 2004. 

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Stylianos Lenas (Στυλιανός Λένας) statue

Στυλιανός Λένας (2)n

Artist: Christos Symeonidis Chrisimos

Location: Crossroads of Eleftheria and Heroon Avenues. Engomi. Nicosia district

Category: ΕΟΚΑ 1955-59

Photography: Evangelia Matthopoulou

The initiative for the memorial was taken in 1999 by the ad hoc private committee for Stylianos Lenas memorial. It was funded by The Board for the Historical Memory of the EOKA 1955-59 struggle (SIMAE). Although the statue was finished in 2001, the current location was promoted as the most appropriate among others some three years later. Additional time was needed for bureaucratic procedures to clear. The unveiling took place on November 19th 2007.

Selected sources:
~ Ιστορικό Αρχείο ΣΙΜΑΕ (Historical Archive of the Board for the Historical Memory of the EOKA 1955-59 struggle), 17.94.7, vol. 7, Meetings Minutes March 30, 2004; February 2, 2006;  July 6, 2006, September 14 2008, November 16, 2006.
~ Ιστορικό Αρχείο ΣΙΜΑΕ (Historical Archive of the Board for the Historical Memory of the EOKA 1955-59 struggle), 17.2008.9, Meeting Minutes May 13, 2008.

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Stylianos Lenas (Στυλιανός Λένας) bust

Προτομή Στυλιανού Λένα (10)n Προτομή Στυλιανού Λέναn

Artist: Chrysostomos Perdios 

Location: Archaggelos Michail church yard, Chandria. Limassol district 

Material: Marble

Dimensions: 172 cm x 39 cm x 39 cm

Category: ΕΟΚΑ 1955-59

Photography: Evangelia Matthopoulou

The bust was commissioned by Christodoulos Hadjipavlou and the unveiling took place on March 25th 1984.

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Stylianos Lenas (Στυλιανός Λένας) statue

Στυλιανός Λένας (1)n Στυλιανός Λένας (3)n

Artist: Andreas Savvides

Location: Chandria. Limassol district

Category: ΕΟΚΑ 1955-59

Photography: Evangelia Matthopoulou

The initiative for the memorial was taken by the “Michail Archaggelos” Orthodox association of Chandria. The unveiling took place on March 26th 1989.

Selected sources:
~ Σημερινή (Simerini), March 28, 1984, p. 3.
~ Κρατικό Αρχείο Κύπρου, Αρχείο Πολιτιστικών Υπηρεσιών Υπουργείου Παιδείας & Πολιτισμού (State Archive of Cyprus): 268/1968, Meting Minutes May 31, 1968.

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Memorial to Stylianos Lenas (Στυλιανός Λένας) and to Dimitrakis Christodoulou (Δημητράκης Χριστοδούλου)

Μνημείο Αγωνιστών ΕΟΚΑ Στυλιανού Λένα και Δημτράκη Χριστοδούλου (3)n Μνημείο Αγωνιστών ΕΟΚΑ Στυλιανού Λένα και Δημτράκη Χριστοδούλου (6)n

Artist: Unknown 

Location: Panayia church yard, Potamitissa. Limassol district 

Material: Marble

Category: ΕΟΚΑ 1955-59

Photography: Evangelia Matthopoulou

The initiative for the memorial was taken in 1961 by the Potamitissa Orthodox Institution (ΘΟΙ/ΤΗΟΙ), and the Potamitissa Orthodox Christian Youth Union. Due to erosion over time, in 1998 a new construction, an exact copy of the original, replaced the old. The initiative for this restoration work was taken by the Potamitissa emigrants’ association and the Potamitissa community. The unveiling took place on May 28th 2000.

The memorial replicates all the familiar and symbolic visual patterns of Greek antiquity and 19th century neoclassicism in Greece. The fluted pillars standing on elaborated, tall bases are crowned with capitals decorated with astragals and darts, topped with palmette motifs. The white marble used in all the parts of the memorial accentuates further the links to the Greek architecture tradition. The familiar black and white photographs of the two fighters are framed with laurel wreaths and Greek flags. The two angels or victories above them, each holding a laurel wreath underline their sacrificial death and imply their lofty deeds. Between them, the bas relief with the wailing female figure, mother, wife or motherland, is reminiscent of the pain and the unhealed trauma. At the same time it replicates a familiar pattern used in 19th century Greece to symbolize death and grief. Last but not least, the demarcation of the commemorative place with fencing links it directly to the elaborated and prominent tombs of Athens’ 1st cemetery. 

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